In order to do so, will be used authors who studied the writing of female authors, having the travel narrative as a research horizon, such as Sonia Serrano and Miriam Adelman as well as authors who focus on the specificities of the comic language that, under the aegis of “graphic novel”, engender an aesthetic construction that privileges the autobiographical narrative (Santiago Garcia and Hilarry Chute). In this case, the present work aims to analyze the different figurations of the concept of displacement present in the work: Displacement - A travelogue by Lucy Knisley, as well as the affiliation of the work to a narrative tradition perpetrated by authors who take the daily genre and the trip report as a means of subjective construction of reality, both in literature and in comics. In this way, displacement can be of other orders, as symbolic, metaphysical and mental, we can also consider even maturation as the displacement from one psychic state to another. In addition to its obvious physical implications, in the case of human displacement, there are also great subjective implications. It is the action of a body that moves from a certain space to another. Summary/Abstract: In certain way, “displacement” refers to the change. Published by: Wydawnictwo Uniwersytetu Śląskiego Keywords: comics subjectivity travel narrative Subject(s): Language and Literature Studies, Studies of Literature, Philology, Theory of Literature, American Literature Subjectivity and “displacement” in Lucy Knisley’s work Author(s): Valter do Carmo Moreira
Subjetividade e “Deslocamento” na obra homônima de Lucy Knisley
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